The Soundtrack of My Life: I Discover the NinetiesPosted: April 19, 2013
As I look back on this series so far, it’s occurred to me that I may seem to be stuck in the 80s. There’s a reason for that.
I am (just ask my wife).
But seriously, it’s not like all the music I listen to came out in the 80s (or before then…), it’s just that shortly after high school I started listening to a wider variety of music, but I also found fewer albums that I really enjoyed all the way through. I think there may have also been a drift away from the idea of albums sometime in there, and more towards singles, such that it became easier to care passionately about a song but not a band. Fortunately there were still a few bands creating great records all the way through, and I still listen to them today.
Stone Temple Pilots – Core: If I had to pick one phrase to describe this album, I’m afraid it would have to be “bad timing”. Caught right in the middle of the grunge explosion, squarely between Nirvana’s Nevermind and In Utero on the one hand and Pearl Jam’s Ten and Vs. on the other, and releasing basically the same day as Alice in Chains’ Dirt, being seen as anything other than a “me too” would be damn near impossible for anyone. Which is too bad, because if any album could stand tall among these giants, this would be it. For my money this album is every bit as good as Nevermind and Ten (although it’s well known among my friends that I’ve never been a huge Nirvana or Pearl Jam fan, I still acknowledge those are amazing albums), and it comes pretty close to Dirt (“Would” and “Rooster” alone are enough to put Dirt over the top in that contest). If you’re a grunge fan who somehow missed this one, pick it up, and if you never got into the grunge scene, this is a great place to start. Best tracks are “Sex Type Thing”, “Wicked Garden”, “Creep”, “Plush”, and “Where the River Goes”.
Garbage – Garbage: On a slightly different note, there’s the self-titled debut release from Garbage. Shirley Manson captivated me immediately with her dark, smoky vocals, and the heavy, almost goth/grunge sound of the music hit the sweet spot for me. There also seemed to be a certain tongue-in-cheek humor to it, as the first single I remember hearing off the album was “Only Happy When It Rains”, which has a healthy dose of self-mockery that was sorely lacking in the goth scene I found myself escaping at the time. While the album tends toward an alt-rock/grunge sound, the instrumentals are a bit too clean and sharp to really fit neatly into the grunge category, and the vocals manage to soar past most of what I generally think of as grunge (although whether that’s because of Manson’s skill or just because I haven’t heard any hardcore female grunge bands is hard to say). All around a great album, and in addition to “Only Happy When It Rains” I would suggest checking out “As Heaven Is Wide”, “Stupid Girl”, and “Milk”.
Blues Traveler – four: And now for something completely different… It’s a little known fact, but I absolutely love good harmonica playing. I don’t know why, but I’m a total sucker for good harmonica, especially when it’s blues or rock style. Small wonder then that I should get sucked in by the likes of John Popper, harmonica virtuoso, fronting up a band called Blues Traveler. What I particularly liked about this album was that they managed to range over a wide area both thematically and musically, being everywhere from up tempo to down tempo and inspiring to… well, to be perfectly honest there’s some out and out depressing moments in this album, as well. But taken as a whole it feels like life. This is a serious and mature album from a band that has had time to get a sense of who they are and what they can achieve, and they bring a great sound together with brilliant lyrics. My favorite tracks include “Run-Around”, “The Mountains Win Again”, “Crash & Burn”, “Price to Pay”, “Hook”, “Just Wait”, and “Brother John”.
Adrian Belew – Young Lions: While it seems like the odd duck out in my collection of music in many ways, this album always puts a smile on my face. Adrian Belew first came to my attention with his hit single “Oh Daddy” off his album Mr. Music Head, and although I was never a big fan of that one, I latched onto this album immediately. Something about the title track just grabbed me, and even to this fay every time I hear it I am inspired with wild ideas of artistic works I will never complete, but at least it gets me started. There’s a few more experimental tracks on this album that also inspire me to just let loose and go with whatever crazy new artistic venture I’ve been holding back on, although I usually abandon them by the time the album is over. The rest of the tracks are more standard pop-like fare, which is not a bad thing, because they’re all executed exceptionally well, with guest appearances on a couple of tracks by David Bowie. “Young Lions” is not to be missed, “Pretty Pink Rose” is great for Bowie fans, “I Am What I Am” is just a trip, and “Men in Helicopters” is another good all-around song.
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