Bob’s Jukebox: A Momentary Lapse of Reason


This week on Bob’s Jukebox, I’ll be discussing the Pink Floyd album A Momentary Lapse of Reason. This is another one I’ve spoken about previously, just over ten years ago, so I don’t blame anyone for not remembering (and this is a bit of a different and more expansive take). At some point I will be discussing (most) every Pink Floyd album, although I don’t want to focus on any one artist for an extended period of time, even if they are the greatest artist of all time. Don’t take it from me; it was voted on all the way back in 2014 for Bobapalooza: Clash of the Titans. And no, I didn’t rig the voting. Who do I look like, the IOC?

So why start with this one, you may ask? It’s quite simple, really. This was the first Pink Floyd album I ever heard, and it started my lifelong fandom.

Go ahead, gasp in shock and dismay. Yes, as a matter of fact I was born under a rock and then raised by wolves. In a barn. On Mars. Are we done here?

I distinctly remember seeing the video for “Learning to Fly” on MTV (and if that doesn’t make me sound old, nothing will) and the sound captured me completely. I had to find more of this incredible new band. The entire album was intoxicating, and when I found out they had so many (allegedly better) albums out there, I started slowly working my way through their back catalogue. We’ll get to those albums eventually, but one thing at a time. (Don’t worry, I’ll be doing the entirety of The Wall as a single post.)

Pink Floyd is another one of those artists that you just can’t compare to other artists, because they’re just that good; you can only compare them to themselves. Is Momentary Lapse the best Pink Floyd album in existence? No, but it is my baseline for what a good Pink Floyd album should be (“you must be at least this quality to be considered good”). We’ll discuss my favorites as we get to them, and this isn’t one of my top three, but it is one of my top five… or six, depending on how you count them. We’ll get to that too.

Right from the start, the use of ambient sound leading into an instrumental on “Signs of Life” just works for me. This album probably has my favorite use of instrumentals paired with ambient sound outside of Animals, and yes, I realize that’s a bold statement considering that both Wish You Were Here and Dark Side of the Moon exist. I said probably, and I love each of them for their own reasons. “Learning to Fly” as previously mentioned is sublime.

“Dogs of War” is the turd in the punch bowl. It is the rare Pink Floyd song I just don’t much care for. It’s derivative and boring. I usually skip past it. But I promised myself I would listen to the entire album, and listen I did. My opinion has not changed.

Fortunately, we then get into the meat of the album, where the music and the lyrics combine together into something truly magical. Again, not the best Pink Floyd ever produced, but still well worth the price of admission. Even decades later, lyrics like “Was it love, or was it the idea of being in love? / Was it the hand of fate, that seemed to fit just like a glove?” hit like a hammer. Even when the lyrics don’t quite rise to that level (“Yet Another Movie”, I’m looking in your direction), Gilmour’s guitar work is still delightful.

Overall, this was the perfect introduction to Pink Floyd. It’s middle of the road (for Floyd), not their best album by a long shot but far from their worst either (and I can’t wait to see the flack I get when we get to that one).


Tuesday Bonus Post: The Dark Side of the Wall


For those who might be interested, I’m taking a class on rhetoric and digital media, and as a class project had to create a piece of digital art. I decided to do a digital poem that was a riff on Taroko Gorge by Nick Montfort. It’s my own mash-up of Pink Floyd’s The Dark Side of the Moon and The Wall, rather appropriately titled The Dark Side of the Wall. Fell free to have a look, critique it, love it, hate it, just tell me what you think in the comments.