Who Matters?

Posted: May 11, 2023 | Author: | Filed under: Culture, Musings, Politics, society, Uncategorized | Tags: , , , , , , , , , , | Leave a comment

(Disclaimer: The following post has spoilers for the first season of The Peripheral on Amazon Prime. If you haven’t seen it yet, I highly recommend it. You have been warned.)

I recently binge-watched the entirety of the first (and so far only) season of The Peripheral on Amazon Prime (note to Amazon: get on that next season, ya’ll have a bad habit of dragging your feet). I have a complicated relationship with cyberpunk in general and William Gibson in particular. When cyberpunk is done well, I love it, and when it is done less than I despise it. The same can be said for Gibson’s work. His better novels I am a rabid fan of (and that isn’t limited to his cyberpunk work; Pattern Recognition remains one of my favorite novels), but his lesser works leave me completely cold. In both cases I think it is a matter of knowing what heights they are capable of makes me demand nothing less. Fortunately, in this case they delivered, and truth be told The Peripheral goes beyond cyberpunk (although it does incorporate many cyberpunk elements and themes) and covers elements of several sci-fi genres.

One of the key themes that particularly stood out for me in the show was the question of who matters in society. This was brought into stark relief when Flynn Fisher (Chloë Grace Moretz) states to her “employers” in an alternate future timeline (like I said, it gets into broader sci-fi elements pretty quick), “I’m trying to think of you guys as real.” While this is the most obvious moment, it is far from the starkest divide, as the power differentials between various groups make up much of the drama in the show, and while they are mostly drawn with a broad brush and a heavy hand (yay science fiction), they still serve to illuminate the broader concept.

The most obvious divisions of course are in the future society between the major power players: the Research Institute (the intelligentsia), the Klept (the rich and powerful), and the Metropolitan Police (the government). The rest of the people in this future society are either servants of one of these groups or simply outcasts.

There are other, less obvious (although still not exactly subtle) divisions to be found in the show as well. The specific choice of a small town, rural setting for the 2032 “stub” timeline versus the metropolitan London of the “main” 2100 timeline dovetails nicely with the plot point of choosing groups of rural friends as soldiers for the haptic devices (an obvious allusion to the over-representation of rural Americans in the military), which then lends itself to the obvious division between veterans and civilians. There’s also the divide between disabled veterans and able-bodied civilians to explore.

It’s very easy to tell who the good guys are: just like in real life, pick the people you agree with, and there you go, you know who the good guys are. Because really, there’s no other way to tell. Everyone has an agenda, everyone does morally and ethically questionable things (to say the least), and everyone has a justification for their actions that essentially amounts to “I did what I had to do”. So like I said, just like real life.

It’s become fashionable to loudly proclaim “everyone gets a voice,” while sotto voce saying, “as long as we don’t have to listen to them.” For some groups it has become even more fashionable to simply say, “You are too vulgar, too violent; you shouldn’t be allowed to speak at all.” To those who insist that everyone deserves and must get an equal voice, here’s a short list of groups that I want you to look at and seriously tell me you want all of them to have an equal say:

  • Flat Earthers
  • Jews
  • Incels
  • TERFs
  • Trumpers
  • 9-11 Truthers
  • MGTOW
  • Muslims
  • Homophobes
  • Feminists
  • Conservatives
  • Disabled people
  • Racists
  • BLM
  • KKK
  • Antifa
  • Liberals
  • Veterans
  • LGTBQ+
  • Nazis
  • Hippies
  • Elderly people
  • Libertarians

Does everyone on the list get an equal say? If not, why not? Was it the same 20 years ago? 50? 100? Why is it different now? (And if the best answer you can give me is “because society is fairer” you get an A for optimism and an F for naivete.) Having a good rationale for not letting part of your population participate when you claim to be a free and just society is putting a band-aid on a gaping wound. Understanding the likely outcome when people feel they are not being heard, their needs are not being addressed, and they are being forced to participate in a society that is taking from them without giving in return is the first step to rectifying the situation. Because the hard truth is that, long-term, most groups are not going to just sit back and be grateful for what they are given. So what do you do then?

And that is a problem that can come from any direction. Look again at that list. I’m not asking you to like or agree with anyone on that list. I’m not asking you to condone or tolerate anyone on that list. I’m asking you to acknowledge that every one of those groups exists, that they have a point of view, one might even say an agenda, and every single one of them is capable of morally and ethically questionable things (to say the least). And I guarantee you, when they do them, they will have a justification for their actions that essentially amounts to “I did what I had to do”. Just like on The Peripheral. The question is, how will you know who the good guys are?

Memory as Identity

Posted: July 22, 2013 | Author: | Filed under: Culture, Musings | Tags: , , , , , , , | Leave a comment

As I was doing laundry the other day (which doesn’t happen often, but it does happen) I was thinking about the last season of Fringe. Of course, this being the internet it doesn’t matter how old that show is, so allow me a moment for the following:

WARNING! WARNING! SPOILERS AHEAD! I WILL BE DISCUSSING TELEVISION SHOWS AND MOVIES THAT HAVE BEEN OUT FOR AT LEAST A YEAR OR LONGER. PLEASE AVERT YOUR EYES IF YOU HAVE NOT SEEN THEM AND STILL CARE.

Ahem. As I was saying. I got to thinking about the last season of Fringe, and in particular the way that the entire season wrapped up by resetting the timeline in the final episode. It seemed a little jarring in some ways, not least because it was the latest in a string of retcons and hard resets that the series had come up with that in my memory can only be topped by Eureka (no, that’s not a spoiler, Eureka spoiled itself. Seriously.) The part of it that I found most disturbing however was that in some ways it seemed to invalidate all the struggles, sacrifices and triumphs of all the characters throughout the entire fifth season. After all, if the events in question never happened, then they have no meaning, right? Or do they?

Pop culture and philosophy might seem like strange bedfellows, but they have gone together at least as far back as ancient Greece. After all, what we think of as great tragedies from that time were presented during the Dionysian festival, and we all know what kind of god Dionysus was (here’s a hint: grab a bottle of wine and get loaded. You’ll be on the right track.) These were the pop culture of their day, and yet they dealt in questions of philosophy, identity, madness (no big surprise, considering the venue), and the human soul.

So what does all of this have to do with my thoughts on the finale of Fringe? I got to thinking “did those characters truly cease to exist?” After all, if they had not taken the actions they did, the timeline wouldn’t have reset, ergo the reset is proof that they did exist, and they did indeed make their sacrifices, even if they and nobody else remembers them (which also goes back to season four to some extent). So what is the relationship between memory and identity? Are we only what we remember? If we don’t remember who we are, do we cease to exist?

Another pop culture/sci-fi look at this concept is Dark City. A fantastic film from 1998 that doesn’t get nearly the mentions it deserves, this movie plays around with the concept of memory and identity and the interaction between the two almost to an obscene degree. While it takes a very definite position on what it means to be human, it doesn’t really address the essential question of identity. Everyone in the city is memory-wiped and essentially reprogrammed as a new person several times throughout the film, and yet each person seems to have some consistency as an individual. Is this because the wipe wasn’t complete, or is there something more?

A relevant experience from my own life was when I went in for a fairly routine procedure at the doctor’s office a couple years ago. He put me under with some new drug that I don’t recall the name of, but apparently the effect was I was conscious for the entire procedure, only I was unable to process any of the events into long-term memory. So I have no memory of the procedure, nor the first two times I asked him if he was done. (Seriously, he told me I asked him the same question three times.) So here’s the question: did I exist? Physically, obviously, my body was present. But did I exist as a person? If I did, what does it mean that I have no memory of that time? If I was conscious, aware, and able to process information, but no memories of any of it exist or ever will, what does that mean?

I guess it means the same thing as the end of Fringe or Dark City: take away from it what you want. Show’s over. Roll credits.