Vacation Movie Roundup: High Culture and Low BrowPosted: June 28, 2013 Filed under: Culture | Tags: culture, entertainment, movies, pop culture, popular culture, reviews Leave a comment
I’ve been taking some time off this week, and as always that means I’ve been exposing myself to the good, the bad, and the ugly of the entertainment world so that you, my loyal readers, won’t have to. I’ve got a trio of movies for you this time, ranging from family friendly fare to art house Shakespeare, and theaters-only to cable-exclusives.
First up is the Joss Whedon re-imagining of the Shakespeare classic Much Ado About Nothing. I’ve got a huge man-crush on Whedon, but I also have an undying love for Shakespeare that is as intense as My Not So Humble Wife’s passionate hatred for him (which she can even express in iambic pentameter). Considering my strong and mixed feelings about Kenneth Branagh’s 1993 Much Ado (I loved most of it, but there were some serious casting problems, especially Keanu Reeves as Don John), I approached this film with some joy and much trepidation. The fact that it was shot in twelve days during what amounted to a vacation in the middle of making The Avengers added a certain amount of uncertainty as well.
Fortunately there was nothing to be concerned about and everything to cheer for (even the wife liked it). The entire movie played smoothly, with a cool hipster-jazz influenced feel. Alexis Denisof as Benedick and Amy Acker as Beatrice revive the on screen chemistry that long-time Whedon fans will remember from later seasons of Angel. The dialogue is fast, sharp, and well played, and the staging is perfect. Fran Kranz turns in a solid performance as Claudio, bringing a believable yet charismatic youth and impetuousness to the character without being emo, and Jillian Morgese is charming and reserved as Hero.
My personal favorite surprise was Nathan Fillion as Dogberry. I have never really understood nor appreciated the humor of this character before, particularly since every time I have seen the show Dogberry is overplayed and chewing the scenery (Michael Keaton, I’m looking squarely at you). Fillion brings a surprisingly subdued turn to the role, and by underplaying it actually makes it much funnier, as well as giving his fellow ensemble members a chance to shine.
While I’m on the subject of ensembles, I may as well talk about Pitch Perfect. Yes, I watched this film, mostly because My Not So Humble Sister said it was funny. I hate admitting she’s right about anything (see the part about her being my sister), but I have to admit it was pretty good. It’s about what you would expect, but there are some ways that it manages to rise above itself. In addition to having some really stellar a cappella performances, the film makes a few inside jokes subverting the very form of film it is (my favorite being when Beca (Anna Kendrick) mocks movies that have the exact plotline of the movie she’s in). Another great bit of comedic subversion in the film is Fat Amy, played by Rebel Wilson. Rather than being the typical shy fat girl who needs to develop self-confidence, “discover herself” and open up, Amy is played as a strong, confident woman from the start. She also has plenty of well-sculpted young men keeping her company in her palatial estate over Spring Break, another nice change from expected norms.
The film does unfortunately have some downsides. They play to the lesbian stereotype more than a little, and there is more than a little bit of gross-out humor (some of which is so far over the top I couldn’t even watch). The plot is also so derivative that, as previously mentioned, they felt the need to mock it in the movie. That only gets you so far.
All that having been said, if you’re looking for something relatively light, relatively fun, and not in any way taxing, Pitch Perfect definitely hits the mark.
I also finally got to see Puss in Boots. I’ve been looking forward to this one for a while, because Puss has become about the only character from Shrek that I can watch for more than five minutes without feeling the need to punch something. It’s not that I don’t like the Shrek franchise, it’s just that I get tired of the same joke after hearing it enough times, and apparently that number of times is two (hence why I can’t stand Shrek the Third, and the less said about the abysmal Shrek the Halls the better). Lucky for me, ditching Mike Myers and Eddie Murphy seems to be exactly what this franchise needed.
Puss in Boots is a sweet, fun, lighthearted romp. It’s family-friendly, but I wouldn’t hold that against it. It’s got a lot of laughs for pretty much everybody, and they cut back the cast to something a bit more manageable to they can really enjoy and play with the idea of the characters again rather than every character just being a one trick pony (or a one note donkey, as the case may be). If the plot was a little predictable, that’s only because (a) they actually laid everything out in such a way that nobody can cry foul later in the film, and (b) the target market for this film probably doesn’t have two digits in their age. If you can accept that, you’ll have a lot of laughs, maybe even enjoy a heartwarming moment (it’s DreamWorks, how can you not?), and then go to bed like good little boys and girls.