Quarterly Report Redux: The Laughing Squid
Posted: July 29, 2013 Filed under: Culture | Tags: culture, pop culture, reviews 1 CommentWhen I first signed up for packages at Quarterly.co, I chose to go with two different options. The first was the Technology & Toys option, which you can read all about my experience of here. The second was the Laughing Squid curated box which just arrived in the mail the other day.
The theme for this box was “old school”, and I have to say that, for my money, they hit just the right note. As soon as I saw the zine that they created in lieu of a letter, I was hooked.
It immediately took me back to my time in college down in Richmond in the mid-90s, and a host of memories came flooding back. The fact that they pointed out such zines were the precursors of blogs such as this one helped bring my past into my present, which (for me at least) was an instant hit.
The next item to grab my attention was the copy of The Tales of the San Francisco Cacophony Society book that they included.
While I am not familiar with it, apparently this is the history (and in some senses pre-history) of the Laughing Squid as well as many other cultural icons, and as a hefty tome weighing in at 300 pages, this looks to be a great read. The cover art is inspired by the old-time pulp comics, and the interior includes some great looking art and photographs. If nothing else, this will make a great coffee table book and conversation piece. Also, if I might take a moment to inject a slice of crass commercialism, the cover price on this one book almost justifies the cost of the Quarterly box by itself, which definitely alleviates any lingering concerns I had from the last box.
The next two items are a combination “starter kit” to get you where they want you to be, and even though I have never tried one the desired result is such a cultural icon I guessed immediately as soon as I saw them what the goal was.
Yes, they sent me the fixings for a Fluffernutter, and as they said in the zine, “all you have to do is add white bread and enjoy!” I have, more than once, thought that I should at least try one of these, if for no other reason than because I want to know what everyone else is talking about. I suppose now I have no more excuses. And if nothing else, I do love my PB&Js, so I’m halfway there.
The final item just tickled me. I have never been a big art collector, but I have always wanted to build a collection. The issue is that, to paraphrase an old joke, art is like pornography; I can’t define it, but I know it when I see it (and I certainly know if I like it). Most art just doesn’t grab me, but the stuff I like I really like, and the print that was included in my box this month hit just the right note of quirky and fun for my taste:
As soon as I saw it, I just had an image in my mind of Cthulhu and friends toasting the end of the world with “Skaal!” and I couldn’t stop giggling. What can I say, I’m weird. This one is getting framed as soon as possible and going up on the wall in my new home office.
So having received two deliveries now from Quarterly, I can definitely say I am overall pleased with the service. The first was fun but less than I hoped for, while the second was more nostalgic and did a lot to tickle my quirkiness. I was definitely thrilled with the Laughing Squid box and can’t wait for the next one.
Memory as Identity
Posted: July 22, 2013 Filed under: Culture, Musings | Tags: culture, entertainment, movies, philosophy, pop culture, sci-fi, science fiction, television Leave a commentAs I was doing laundry the other day (which doesn’t happen often, but it does happen) I was thinking about the last season of Fringe. Of course, this being the internet it doesn’t matter how old that show is, so allow me a moment for the following:
WARNING! WARNING! SPOILERS AHEAD! I WILL BE DISCUSSING TELEVISION SHOWS AND MOVIES THAT HAVE BEEN OUT FOR AT LEAST A YEAR OR LONGER. PLEASE AVERT YOUR EYES IF YOU HAVE NOT SEEN THEM AND STILL CARE.
Ahem. As I was saying. I got to thinking about the last season of Fringe, and in particular the way that the entire season wrapped up by resetting the timeline in the final episode. It seemed a little jarring in some ways, not least because it was the latest in a string of retcons and hard resets that the series had come up with that in my memory can only be topped by Eureka (no, that’s not a spoiler, Eureka spoiled itself. Seriously.) The part of it that I found most disturbing however was that in some ways it seemed to invalidate all the struggles, sacrifices and triumphs of all the characters throughout the entire fifth season. After all, if the events in question never happened, then they have no meaning, right? Or do they?
Pop culture and philosophy might seem like strange bedfellows, but they have gone together at least as far back as ancient Greece. After all, what we think of as great tragedies from that time were presented during the Dionysian festival, and we all know what kind of god Dionysus was (here’s a hint: grab a bottle of wine and get loaded. You’ll be on the right track.) These were the pop culture of their day, and yet they dealt in questions of philosophy, identity, madness (no big surprise, considering the venue), and the human soul.
So what does all of this have to do with my thoughts on the finale of Fringe? I got to thinking “did those characters truly cease to exist?” After all, if they had not taken the actions they did, the timeline wouldn’t have reset, ergo the reset is proof that they did exist, and they did indeed make their sacrifices, even if they and nobody else remembers them (which also goes back to season four to some extent). So what is the relationship between memory and identity? Are we only what we remember? If we don’t remember who we are, do we cease to exist?
Another pop culture/sci-fi look at this concept is Dark City. A fantastic film from 1998 that doesn’t get nearly the mentions it deserves, this movie plays around with the concept of memory and identity and the interaction between the two almost to an obscene degree. While it takes a very definite position on what it means to be human, it doesn’t really address the essential question of identity. Everyone in the city is memory-wiped and essentially reprogrammed as a new person several times throughout the film, and yet each person seems to have some consistency as an individual. Is this because the wipe wasn’t complete, or is there something more?
A relevant experience from my own life was when I went in for a fairly routine procedure at the doctor’s office a couple years ago. He put me under with some new drug that I don’t recall the name of, but apparently the effect was I was conscious for the entire procedure, only I was unable to process any of the events into long-term memory. So I have no memory of the procedure, nor the first two times I asked him if he was done. (Seriously, he told me I asked him the same question three times.) So here’s the question: did I exist? Physically, obviously, my body was present. But did I exist as a person? If I did, what does it mean that I have no memory of that time? If I was conscious, aware, and able to process information, but no memories of any of it exist or ever will, what does that mean?
I guess it means the same thing as the end of Fringe or Dark City: take away from it what you want. Show’s over. Roll credits.
Quarterly Report
Posted: July 10, 2013 Filed under: Culture, Internet | Tags: culture, internet, pop culture, reviews, toys 2 CommentsThose of you who follow HeelsFirstTravel.com (and that should be all of you, because it’s a great site) should be familiar with Keri’s posts on Birchbox and Glossybox. I’ve always been kind of jealous of the idea of getting packages full of random goodies in the mail, but although there are versions available for men they still focus on personal care products and other things I have zero interest in (but if it sounds like your cup of tea, visit the links above and sign up; Keri deserves the referral credit for turning you on to it).
A few months ago I discovered the online service Quarterly.co. They have a different take on the “random package of goodies” concept. They have a list of contributors who “curate” packages every three months (hence the name of the company) based around a certain theme. The themes range over a wide territory, with everything from the generic “Technology & Toys” or “Travel & Adventure” (curated by Quarterly directly) to more specific mailings from contributors such as Style Girlfriend (a blogger who brings her fashion advice to the real world with her care packages) and Jesse Kornbluth of HeadButler.com, who “sends overlooked gems in film, music, and literature.” There are also some more esoteric offerings, ranging from advice and tools for entrepreneurs from True Ventures (a venture capital firm) to themed mailings like the one from Pharrell Williams of N.E.R.D., who sends mailings based on “curiosity”.
I signed up for the aforementioned Technology & Toys mailing as well as the Laughing Squid package, but what with the timing of the shipments (the name sort of gives it away) it was a bit of a wait before I finally got my first package, and I’d been eagerly awaiting it ever since. Once it finally arrived, I tore it open and found some curious items inside. It seems the theme of this month’s mailing was “physics”, and all the ways you can play around with it. Here are the goodies I received. First, the Airzooka:
Looks cool, right? Well, it was “some assembly required”.
And here’s the final product:
When I finally got it together (which only took about five minutes and a small bit of help from My Not So Humble Wife), I did get some fun out of it. It’s a nifty little toy, and I will probably play with it some more in the coming weeks off and on. Still, not the coolest thing ever. Let’s see what else I got.
Yes, that’s a Roomarang. As in a boomerang you can throw inside. And yes, it does work about as advertised. It was fun for a few minutes, and I found myself coming back to it a couple times (and might again), but once I finally caught it on the return trip it wasn’t nearly as compelling as it was at first. Next up was the kite.

Things I won’t be doing: impersonating Benjamin Franklin. Starring in Mary Poppins. Thinking of a third kite-related joke.
You will notice it is still in the sleeve. There are a couple reasons for this. First is because it’s summer in Virginia. That means the weather comes in two flavors: hot and humid with no wind or hot and raining. In a couple months if I can still find it the weather might be right for flying a kite. I won’t know because when I was ten I realized I will never be one of those guys who can do cool tricks with kites. I also realized that cool tricks with kites don’t actually impress girls. There may be a correlation there. Either way I won’t be flying a kite again anytime soon.
Next up was a funky lens for my iPhone camera.
You will notice this is also still in the box. The reason for that is before taking the pictures for this blog post, I hadn’t taken a picture with my phone in weeks if not months. I’m just not that kind of guy. I may not be the norm in that regard, but it’s my blog and I’ll cry if I want to. You would cry too if it happened to you. I have no idea where they got the idea I would enjoy this, but at least they were kind enough to send me a postcard when they got there.
To summarize: 50% of the toys in the box got played with for a couple days, and the other 50% never made it out of the box. That means that I paid $25 each for the Airzooka and the Roomarang. To say I am disappointed would be an understatement. I was expecting bells and whistles, gadgets and toys. Instead I got a physics lesson, a postcard, and a couple of toys.
I’m not giving up on them yet, because I still have high hopes for this mailing, and even if the next one is disappointing there are several others I’d like to try (such as Netted by the Webbies, Joshua Foer, and Alexis Ohanian). If those crap out on me, I’ll just start buying myself $50 worth of random crap off Amazon every few months. Either way I win.
Kaiju Madness: King of Tokyo
Posted: July 1, 2013 Filed under: Culture | Tags: board games, culture, entertainment, games, reviews 4 CommentsRecently for my birthday (yes, I’m bringing that up again, but I swear it’s in the service of a good cause) some very good friends got me a new board game: King of Tokyo. I had never heard of it before, but just looking at the box got me excited. It had giant monsters destroying a city, and with a name like “King of Tokyo”, there was only one way this thing could be headed. A little while later I headed home, cracked it open, and started pouring over the contents.
I have not stopped playing this game since.
King of Tokyo has won several prestigious awards, including the 2012 Golden Geek awards for Best Party Game, Best Family Board Game, and Best Children’s Game (although a note to parents with little Geeklings at home: pretty much the entire game is a choking hazard). It seems as if someone sat down and scientifically figured out all the things geeks loved and put it all into one game. Monsters? Dice? Of course, and plenty of them. Tokens? Got them too. Points to keep track of? Not one kind, but two, including the ever popular life points, both tracked on individualized and thematically accurate cards. And speaking of cards, there’s a whole deck of them to enjoy! There are even stand-up cut outs that serve as miniatures of your monsters. Monsters? Of course there are monsters. That’s the whole point of the game. And there’s even a board, although it plays a small (but crucial) role in the overall game.
The best part of the game is how fast it is to pick up and play. Everyone I’ve played it with has learned it in less than five minutes, and most of them have beaten other people who have played multiple times within their first two or three games. It plays fast and there are multiple avenues to victory, either by collecting points or (my personal favorite) be the last monster standing.
The game play itself is fast paced and fun as well. Despite (or perhaps because of) all the little pieces and details to keep track of, gameplay is breezy and lighthearted. It’s kind of like a cross between Yahtzee and King of the Hill, with the cards offering a dizzying array of options to expand strategies and take your game in all kinds of different directions. Being the geek that I am I immediately started thinking about different ways to tweak out the rules to create different scenarios, which is part of the fun to a guy like me. There are a few rules that are a little unclear on how they interact with each other, particularly when certain cards get involved, although on the whole the game designers did an excellent job anticipating rules lawyers like my friends and I and provided a handy reference sheet for specific issues that came up during play (and even some that I look forward to having come up in the near future).
All in all, I highly recommend this fantastic game to anyone who enjoys board games, monsters, rolling dice, or just having fun with friends. The more people you get to play the more fun it is (the rules are even slightly different for five or six people). I haven’t gotten the expansion yet, but I plan to soon.
And a quick shout out to the Js: Best birthday gift ever.
Vacation Movie Roundup: High Culture and Low Brow
Posted: June 28, 2013 Filed under: Culture | Tags: culture, entertainment, movies, pop culture, popular culture, reviews Leave a commentI’ve been taking some time off this week, and as always that means I’ve been exposing myself to the good, the bad, and the ugly of the entertainment world so that you, my loyal readers, won’t have to. I’ve got a trio of movies for you this time, ranging from family friendly fare to art house Shakespeare, and theaters-only to cable-exclusives.
First up is the Joss Whedon re-imagining of the Shakespeare classic Much Ado About Nothing. I’ve got a huge man-crush on Whedon, but I also have an undying love for Shakespeare that is as intense as My Not So Humble Wife’s passionate hatred for him (which she can even express in iambic pentameter). Considering my strong and mixed feelings about Kenneth Branagh’s 1993 Much Ado (I loved most of it, but there were some serious casting problems, especially Keanu Reeves as Don John), I approached this film with some joy and much trepidation. The fact that it was shot in twelve days during what amounted to a vacation in the middle of making The Avengers added a certain amount of uncertainty as well.
Fortunately there was nothing to be concerned about and everything to cheer for (even the wife liked it). The entire movie played smoothly, with a cool hipster-jazz influenced feel. Alexis Denisof as Benedick and Amy Acker as Beatrice revive the on screen chemistry that long-time Whedon fans will remember from later seasons of Angel. The dialogue is fast, sharp, and well played, and the staging is perfect. Fran Kranz turns in a solid performance as Claudio, bringing a believable yet charismatic youth and impetuousness to the character without being emo, and Jillian Morgese is charming and reserved as Hero.
My personal favorite surprise was Nathan Fillion as Dogberry. I have never really understood nor appreciated the humor of this character before, particularly since every time I have seen the show Dogberry is overplayed and chewing the scenery (Michael Keaton, I’m looking squarely at you). Fillion brings a surprisingly subdued turn to the role, and by underplaying it actually makes it much funnier, as well as giving his fellow ensemble members a chance to shine.
5/5 stars
While I’m on the subject of ensembles, I may as well talk about Pitch Perfect. Yes, I watched this film, mostly because My Not So Humble Sister said it was funny. I hate admitting she’s right about anything (see the part about her being my sister), but I have to admit it was pretty good. It’s about what you would expect, but there are some ways that it manages to rise above itself. In addition to having some really stellar a cappella performances, the film makes a few inside jokes subverting the very form of film it is (my favorite being when Beca (Anna Kendrick) mocks movies that have the exact plotline of the movie she’s in). Another great bit of comedic subversion in the film is Fat Amy, played by Rebel Wilson. Rather than being the typical shy fat girl who needs to develop self-confidence, “discover herself” and open up, Amy is played as a strong, confident woman from the start. She also has plenty of well-sculpted young men keeping her company in her palatial estate over Spring Break, another nice change from expected norms.
The film does unfortunately have some downsides. They play to the lesbian stereotype more than a little, and there is more than a little bit of gross-out humor (some of which is so far over the top I couldn’t even watch). The plot is also so derivative that, as previously mentioned, they felt the need to mock it in the movie. That only gets you so far.
All that having been said, if you’re looking for something relatively light, relatively fun, and not in any way taxing, Pitch Perfect definitely hits the mark.
3.5/5 stars
I also finally got to see Puss in Boots. I’ve been looking forward to this one for a while, because Puss has become about the only character from Shrek that I can watch for more than five minutes without feeling the need to punch something. It’s not that I don’t like the Shrek franchise, it’s just that I get tired of the same joke after hearing it enough times, and apparently that number of times is two (hence why I can’t stand Shrek the Third, and the less said about the abysmal Shrek the Halls the better). Lucky for me, ditching Mike Myers and Eddie Murphy seems to be exactly what this franchise needed.
Puss in Boots is a sweet, fun, lighthearted romp. It’s family-friendly, but I wouldn’t hold that against it. It’s got a lot of laughs for pretty much everybody, and they cut back the cast to something a bit more manageable to they can really enjoy and play with the idea of the characters again rather than every character just being a one trick pony (or a one note donkey, as the case may be). If the plot was a little predictable, that’s only because (a) they actually laid everything out in such a way that nobody can cry foul later in the film, and (b) the target market for this film probably doesn’t have two digits in their age. If you can accept that, you’ll have a lot of laughs, maybe even enjoy a heartwarming moment (it’s DreamWorks, how can you not?), and then go to bed like good little boys and girls.
4/5 stars
Bobapalooza 2013: The World is Not Enough – The Final Lineup At Last!
Posted: June 24, 2013 Filed under: Bobapalooza, Culture | Tags: Bobapalooza, culture, entertainment, festival, music 5 CommentsFirst I want to thank all of my wonderful contributors: Braum Katz, Janet Currie Konigsberg, Matt Foster, Scott Soper, Greg Beyerlin, Jenn Stevens Booth, Jim Riegel, Michael Reinemann, Patrick Hoolahan, Yillah Natalia, and Micah Stromberg. It was another great year filled with talent and diversity, and I had a devil of a time choosing the acts that would make it.
But that’s not what you came for. You came to see –
THE BOBAPALOOZA 2013 LINEUP!!!
Ah, I do so love my dramatic moments. Anyway, let’s start with THE STAGE OF LEGENDS. While I had a lot of great acts to choose from, in the end I decided to go with the five acts that have had the most lasting impact on music. Either directly or indirectly, through their influence they have made a mark on the world of music that is as enduring as it is undeniable. They are:
Nirvana (Nominated by Braum Katz) – For those who don’t remember the state of music before grunge, let me just say the world was a very different place As Janet Currie Konigsberg put it, “There will never be another like Nirvana. That was magic that truly changed the state of music. They not only kicked down pretentious doors of radio and television, they heralded a much needed fashion revolution. The world of music today owes a debt to Nirvana.”
The Doors (Nominated by Matt Foster) – Despite Jim Morrison’s death over 40 years ago, the Doors have managed to maintain a level of popularity that other bands still aspire to. They have influenced bands, movies, and pop culture for decades, and likely will continue to do so for decades to come.
Sting (Nominated by Scott Soper) – If you want to secure Legend status, fronting one of the greatest rock bands of all time is not a bad way to start. Going on to have a wildly successful solo career that is enough to make you a legend in its own right just sweetens the deal. Sting combines beautiful arrangements with deep lyrics that continue to push the boundaries of musical artistry.
Nine Inch Nails (Nominated by Janet Currie Konigsberg) – One of the first techno bands that most people were exposed to, and still one of the greatest. In the words of Janet Currie Konigsberg: “I can’t think of another band that managed to unite so many different music fans under one banner. Industrial? Techno? Hard Core? Metal? Dance? Trance? Rock? Alternative? Yep. All covered. And when Johnny Cash covers your stuff, what else is there in life left to achieve?” And speaking of…
Johnny Cash (Nominated by Scott Soper) – The Man in Black is one of the greatest crossover stars of all time, having accomplished the rare feat of earning a place in the Country Music Hall of Fame, the Rock and Roll Hall of Fame, and the Gospel Music Hall of Fame. He brought a social consciousness to his music long before it was the popular thing to do, and as Scott Soper put it, he made it so that “even a metal head can love a little country.”
And now, the MAIN STAGE! I expect this one to be even more controversial than the Stage of Legends. I had to turn away a lot of great bands, some because they just weren’t to my taste (hey, it’s BOBapalooza), and others because there are only fifteen places on the stage and I couldn’t put everyone up there I wanted to. But you’ve heard all those excuses before. Here’s the lineup you’ve been waiting for:
Matsiyahu (Nominated by Braum Katz)
Awol Nation (Nominated by Janet Currie Konigsberg)
Volbeat (Nominated by Janet Currie Konigsberg)
Divine Fits (Nominated by Jenn Stevens Booth)
Axis of Awesome (Nominated by Jim Riegel)
Garbage (Nominated by Jim Riegel)
KMFDM (Nominated by Matt Foster)
The Heavy (Nominated by Matt Foster)
Aesop Rock (Nominated by Michael Reinemann)
Animal Collective (Nominated by Michael Reinemann)
Preston Reed (Nominated by Patrick Hoolahan)
Dream Theater (Nominated by Scott Soper)
Death (Nominated by Yillah Natalia)
K’Naan (Nominated by Yillah Natalia)
Be sure to check out all these artists and support their endeavors. The Official Bobapalooza 2013 Playlist™ is still to come, along with a couple of other surprises, so stay tuned!
Thanks everybody, and we’ll see you again next year!
I Need to Be WoW’ed
Posted: June 12, 2013 Filed under: Culture, Internet, Musings | Tags: addiction, culture, entertainment, life, MMO, World of Warcraft, WoW 5 CommentsIt’s been over a year and the cravings are still coming. In fact, of late they’ve been more and more frequent and perhaps even a bit stronger. I think about it at least once a week, and sometimes every day. Sure, it’s worse when I’m bored, but even when I have things going on, it still crosses my mind. “How bad could it be? Just a little bit. I can handle doing just a little bit. I hear they even let you try some for free now.”
Cold turkey sucks.
I’ve quit cigarettes, caffeine, even biting my nails when I was a kid, but somehow the one I seem to be having the most trouble with is World of Warcraft.
Maybe it’s because there’s something missing that I don’t feel like I’m getting in some other way. WoW offers the easy taste of victory early on, with just enough challenge to keep you coming back, and it keeps scaling up to keep the challenge fresh. Sure you can say that about any game, but the folks at Blizzard have it down to a science (quite literally, I’m sure). There’s also a false sense of accomplishment and reward built right in, so you don’t even need to pat yourself on the back; they’ll do it for you. They even let you get something approaching sociability, although the sad truth is they haven’t yet found a way to fix human behavior in an anonymous environment (but they do a better job than most).
Maybe it’s because WoW came to me at the right time in my life (that’s what My Not So Humble Wife suggested). She has a point. When I first started playing World of Warcraft I was feeling lost, alone, and in need of something to make me feel good about myself. I didn’t feel like a success. WoW gave me that. Sure it was an artificial sensation, but Twinkies are full of empty calories and I love them too. WoW gave me so much of that that I spent as much time playing it as I would on a second job, only I paid them for the privilege. Is it a coincidence that a couple months after quitting WoW I started a blog? Not in the slightest. And I still have more free time (most of which I spend with my previously neglected wife).
Maybe it’s because I’ve got an addictive personality. I love to gamble, so I stay away from it. I love to smoke, and I’ve quit more than once (with varying levels of success). I’ll even get hooked on a song and listen to it over and over until I drive the people around me nuts (just ask My Not So Humble Sister; better yet don’t, I don’t need het to be reminded). I’ve thought that if I could find something positive to fill that void (like blogging) it would be enough, but it’s like exercising to get over craving a cigarette. You can only do it so much before you get tired of it, and you still want what you want.
Ultimately I need something to take my mind off of it. I need something that will thrill me, something that will grab and hold my attention long enough to make the cravings go away, I need something so powerful, so wonderful, so fantastic that it’s completely irresistible, to me anyway.
I need to be WoW’ed.
Bobapalooza 2013: The World Is Not Enough – Submissions Close Saturday, June 15!
Posted: June 9, 2013 Filed under: Bobapalooza, Culture | Tags: culture, festival, music Leave a commentThe action so far has been wild, with nominees ranging from Fiona Apple to Testament! The only thing that’s certain at this point is that the window for nominations closes at 11:59 PM on Saturday, June 15, so get in there today! Main Stage or Stage of Legends, let us know who YOU want to see!
https://www.facebook.com/Bobapalooza2013
Bobapalooza 2013: The World Is Not Enough
Posted: May 31, 2013 Filed under: Bobapalooza, Culture | Tags: culture, festival, music 1 CommentThe time has come at last for the next installment of the greatest music festival that never was: Bobapalooza 2013! This year we’re throwing the doors wide open to allow ANYONE to nominate their favorite bands. World tour? Not even. It’s bigger than that. It’s the whole internet! THE WORLD IS NOT ENOUGH.
So here’s the deal: I’ve been sharing my musical past with all of you for a while now, and it’s time to broaden my horizons. I’m looking for new music, and I’m hoping you, yes, YOU will provide it. Specifically, I’m giving ANYONE the chance to get me to listen to the music you love.
Here’s how it works: imagine you’ve heard about a music festival coming to town, and on the list of bands is THE band. The one that makes you say, “I don’t care what the ticket price is, I will sell my own children if I have to, I MUST BE THERE.” Any band, any era, living or dead, still together or not. Pick your favorite song and post it to the Facebook event page for Bobapalooza 2013.
But wait, there’s more! Some of you may remember the Stage of Legends from 2011 and 2012. It’s back once again, and there are five brand-spanking new Legend spots up for grabs! That’s right, not only can you nominate your favorite garage band for the main stage, you can nominate your favorite garage band to be a Bobapalooza Legend!
Now the rules:
MAIN STAGE
1. You have to pick a band you would sit through the entire set. Not “I love this song!” I want “I love this band!”
2. Yes, you can post as many as you like, but really, how many bands are THAT good?
3. If you intend to post more than one, please don’t spam the feed (more than 10 bands a day from one person is a bit much. I do have a life. And see 1 & 2.)
4. If you post it I will listen to it, so please, be gentle.
5. Please note that this is a Main Stage entry.
6. Any band that made it to the show in 2011 or 2012 (main stage or Stage of Legends) will not be considered for the main stage this year.
STAGE OF LEGENDS
1. All of the rules for Main Stage apply, only even more. I mean, think about 1 & 2 especially. These guys are supposed to be LEGENDS.
2. Testify! Tell me (and the world!) why you think this band deserves to be named a Legend. For an idea of the sort of thing I have in mind look at the write up from Bobapalooza 2011 or Bobapalooza 2012.
3. Any band that made it to the Stage of Legends in 2011 or 2012 will not be considered this year, however, Main Stage acts may still be nominated.
And remember, just as Master Yoda told us, “Do, or do not; there is no try.” Once a band has been nominated for the Stage of Legends, they are no longer in the running for the main stage. The whole point of the SoL is to give a fair shot to lesser known bands. If you think your favorite band has what it takes to compete with the big boys, put ‘em in, but don’t hedge your bets. Go big or stay home.
Starting June 15 I will decide who the winners are, and I will post my fifteen favorite bands for the main stage and the five act Stage of Legends. I will also give credit to the first person who suggested them, so get in early for your shot at fame!
If you still have questions, please feel free to comment on this blog post or on the Facebook event page. Insightful questions will receive careful, well-thought out answers. Off-hand questions will get off-hand answers. Questions that prove you didn’t bother to read everything I already wrote will be met with shame and ridicule, not necessarily in that order.
For those about to rock: we salute you!










